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📒The Dramatic Imagination ✍ Robert Edmond Jones
📝The Dramatic Imagination Book Synopsis : In Joseph Conrad's tales, representations of women and of "feminine" generic forms like the romance are often present in fugitive ways. Conrad's use of allegorical feminine imagery, fleet or deferred introductions of female characters, and hybrid generic structures that combine features of "masculine" tales of adventure and intrigue and "feminine" dramas of love or domesticity are among the subjects of this literary study. Many of Conrad's critics have argued that Conrad's fictions are aesthetically flawed by the inclusion of women and love plots; thus Thomas Moser has questioned why Conrad did not "cut them out altogether." Yet a thematics of gender suffuses Conrad's narrative strategies. Even in tales that contain no significant female characters or obvious love plots, Conrad introduces elusive feminine presences, in relationships between men, as well as in men's relationships to their ship, the sea, a shore breeze, or even in the gendered embrace of death. This book investigates an identifiably feminine "point of view" which is present in fugitive ways throughout Conrad's canon. Conrad's narrative strategies are articulated through a language of sexual difference that provides the vocabulary and grammar for tales examining European class, racial, and gender paradigms to provide acute and, at times, equivocal investigations of femininity and difference.
📒The Dramatic Imagination ✍ Robert Edmond Jones
📝The Dramatic Imagination Book Synopsis : First Published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.
📒The Dramatic Imagination Of Robert Browning ✍ Richard S. Kennedy
📝The Dramatic Imagination of Robert Browning Book Synopsis :
📒Theatre Of Sound ✍ Dermot Rattigan
📝Theatre of sound Book Synopsis : "A new theoretical and analytical approach-informative, illuminating, and at all times readable"-Richard Allen Cave, University of London. This is an innovative study of the challenges that radio drama poses To The creative imagination of the writer
📒The Dramatic Imagination ✍ Basavaraj Shivashankarappa Naikar
📝The Dramatic Imagination Book Synopsis : Articles on drama.
📒The Playwright S Workout ✍ Michael Bigelow Dixon
📝The Playwright s Workout Book Synopsis : This collection of exercises is designed to build creative muscle in students of playwriting and will prove useful as well to working dramatists who want to build their skills while stretching their imaginative powers. Contributed by some of America?s foremost playwrights and playwriting teachers, these varied and inventive exercises offer new sources for dramatic inspiration, provide ways to embolden dramatic action, and encourage experimentation with the basic elements of playwriting.The thirty contributors include:Sarah Ruhl,Craig Lucas,Emily Mann,Ellen McLaughlin,Jon Jory,Kia CorthronSteven Dietz.While most playwriting guides introduce students to basic concepts and practices, The Playwright?s Workout offers a range of imaginative prompts to the creative act of playwriting.MICHAEL BIGELOW DIXON, as literary manager and dramaturg, has worked with hundreds of playwrights at Actors Theatre of Louisville, South Coast Repertory, and the Guthrie Theater. As a director, he?s staged world premieres at the Florida Stage, the Magic Theatre, Commonwealth Theatre Company, Actors Theatre and the Guthrie. He?s edited 31 volumes of plays and criticism and currently works as resident director at The Playwright?s Center in Minneapolis.LIZ ENGELMAN is a freelance dramaturg living in Minneapolis. She?s worked on new plays and projects across the country and internationally. This is her sixth editorial collaboration with Michael Bigelow Dixon and has edited two volumes of monologues for women with Tori Haring-Smith. She?s past-President and current Board Chair of Literary Managers and Dramaturgs of the Americas, and is co-founder and director of Tofte Lake Center at Norm?s Fish Camp, a creative artists retreat in the Boundary Waters of northern Minnesota.
📒Women The First World War And The Dramatic Imagination ✍ Claire M. Tylee
📝Women the First World War and the Dramatic Imagination Book Synopsis : Tylee (English literature, Brunel U.) presents 15 contributions that discuss women's drama that arose from World War I. Each section presents viewpoints from various countries, particularly Britain and Germany. The essays cover various periods and types of drama (from traditional stage plays to modernist, avant-garde drama) and also look at responses after the Second World War, 40 years later. Discussion includes the political positions the plays embody, and the ways in which the formal aspects of the plays enable different kinds of feminist politics to become manifest. c. Book News Inc.
📒Theatre Symposium Vol 19 ✍ J K Curry
📝Theatre Symposium Vol 19 Book Synopsis : Normal0falsefalsefalseMicrosoftInternetExplorer4Despite a shared history and many common present practices, the relationship between theatre and film often remains uncertain. Does a close study of film enrich an understanding of drama on the stage? What ongoing connections do theatre and film maintain, and what elements do they borrow from each other? Does the relative popularity and accessibility of film lead to an increased scholarly defensiveness about qualities exclusive to theatrical performances? Do theatre and film demand two different kinds of attention from spectators, or do audiences tend to experience both in the same ways? The essays in “Theatre Symposium: Volume 19” present this dynamic coexistence of theatre and film, and examine the nature of their mutual influence on each other. Bruce McConachie, in his contribution to the collection, “Theatre and Film in Evolutionary Perspective,” argues that the cognitive functions used to interpret either media arise from the same evolutionary foundation, and that therefore the viewing experiences of theatre and film are closely linked to each other. In “Robert Edmond Jones: Theatre and Motion Pictures, Bridging Reality and Dreams,” Anthony Hostetter and Elisabeth Hostetter consider Jones’ influential vision of a “theater of the future,” in which traditional stage performances incorporate mediated video material into stage productions. Becky Becker’s “Nollywood: Film and Home Video, of the Death of Nigerian Theatre,” by focusing on the current conversation in Nigeria, discusses the anxiety generated by a film and video industry burgeoning into and displacing theatre culture These and the six other essays in “Theatre Symposium: Volume 19” shed light on the current state of affairs—the collaborations and the tensions—between two distinctly individual yet inextricably related artistic media.
📒Contemporary British Theatre ✍ V. Angelaki
📝Contemporary British Theatre Book Synopsis : This edited collection brings together a team of internationally prominent academics and delivers cutting-edge discourse on the strongly emerging tradition of experimentation in contemporary British theatre - redefining what the dramatic stands for today. Each chapter of the collection focuses on influential contemporary plays and playwrights.
📒The Power Of Human Imagination ✍ Jerome L. Singer
📝The Power of Human Imagination Book Synopsis : For at least half of the twentieth century, psychology and the other mental health professions all but ignored the significant adaptive pos sibilities of the human gift of imagery. Our capacity seemingly to duplicate sights, sounds, and other sensory experiences through some form of central brain process continues to remain a mysterious, alma st miraculous skill. Because imagery is so much a private experience, experimental psychologists found it hard to measure and turned their attentian to observable behaviors that could easily be studied in ani maIs as well as in humans. Psychoanalysts and others working with the emotionally disturbed continued to take imagery informatian se riously in the form of dream reports, transferenee fantasies, and as indications of hallucinations or delusions. On the whole, however, they emphasized the maladaptive aspects of the phenomena, the dis tortions and defensiveness or the "regressive" qualities of daydreams and sequences of images. The present volume grows out of a long series of investigations by the senior author that have suggested that daydreaming and the stream of consciousness are not simply manifestations in adult life of persist ing phenomena of childhood. Rather, the data suggest that imagery sequences represent a major system of encoding and transforming information, a basic human capacity that is inevitably part of the brain's storage process and one that has enormous potential for adap tive utility. A companian volume, The Stream of Consciousness, edited by Kenneth S. Pope and Jerome L.