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📒The Dramatic Imagination ✍ Robert Edmond Jones
📝The Dramatic Imagination Book Synopsis : In Joseph Conrad's tales, representations of women and of "feminine" generic forms like the romance are often present in fugitive ways. Conrad's use of allegorical feminine imagery, fleet or deferred introductions of female characters, and hybrid generic structures that combine features of "masculine" tales of adventure and intrigue and "feminine" dramas of love or domesticity are among the subjects of this literary study. Many of Conrad's critics have argued that Conrad's fictions are aesthetically flawed by the inclusion of women and love plots; thus Thomas Moser has questioned why Conrad did not "cut them out altogether." Yet a thematics of gender suffuses Conrad's narrative strategies. Even in tales that contain no significant female characters or obvious love plots, Conrad introduces elusive feminine presences, in relationships between men, as well as in men's relationships to their ship, the sea, a shore breeze, or even in the gendered embrace of death. This book investigates an identifiably feminine "point of view" which is present in fugitive ways throughout Conrad's canon. Conrad's narrative strategies are articulated through a language of sexual difference that provides the vocabulary and grammar for tales examining European class, racial, and gender paradigms to provide acute and, at times, equivocal investigations of femininity and difference.
📒The Dramatic Imagination Of Robert Browning ✍ Richard S. Kennedy
📝The Dramatic Imagination of Robert Browning Book Synopsis :
📒Theatre Of Sound ✍ Dermot Rattigan
📝Theatre of sound Book Synopsis : "A new theoretical and analytical approach-informative, illuminating, and at all times readable"-Richard Allen Cave, University of London. This is an innovative study of the challenges that radio drama poses To The creative imagination of the writer
📒The Dramatic Imagination Of W B Yeats ✍ Andrew Parkin
📝The dramatic imagination of W B Yeats Book Synopsis :
📒The Dramatic Imagination ✍ Basavaraj Shivashankarappa Naikar
📝The Dramatic Imagination Book Synopsis : Articles on drama.
📒The Dramatic Imagination ✍ Robert Edmond Jones
📝The Dramatic Imagination Book Synopsis :
📒The Playwright S Workout ✍ Michael Bigelow Dixon
📝The Playwright s Workout Book Synopsis : This collection of exercises is designed to build creative muscle in students of playwriting and will prove useful as well to working dramatists who want to build their skills while stretching their imaginative powers. Contributed by some of America?s foremost playwrights and playwriting teachers, these varied and inventive exercises offer new sources for dramatic inspiration, provide ways to embolden dramatic action, and encourage experimentation with the basic elements of playwriting.The thirty contributors include:Sarah Ruhl,Craig Lucas,Emily Mann,Ellen McLaughlin,Jon Jory,Kia CorthronSteven Dietz.While most playwriting guides introduce students to basic concepts and practices, The Playwright?s Workout offers a range of imaginative prompts to the creative act of playwriting.MICHAEL BIGELOW DIXON, as literary manager and dramaturg, has worked with hundreds of playwrights at Actors Theatre of Louisville, South Coast Repertory, and the Guthrie Theater. As a director, he?s staged world premieres at the Florida Stage, the Magic Theatre, Commonwealth Theatre Company, Actors Theatre and the Guthrie. He?s edited 31 volumes of plays and criticism and currently works as resident director at The Playwright?s Center in Minneapolis.LIZ ENGELMAN is a freelance dramaturg living in Minneapolis. She?s worked on new plays and projects across the country and internationally. This is her sixth editorial collaboration with Michael Bigelow Dixon and has edited two volumes of monologues for women with Tori Haring-Smith. She?s past-President and current Board Chair of Literary Managers and Dramaturgs of the Americas, and is co-founder and director of Tofte Lake Center at Norm?s Fish Camp, a creative artists retreat in the Boundary Waters of northern Minnesota.
📝Women the First World War and the Dramatic Imagination International Essays 1914 1999 Book Synopsis : This collection of essays demonstrates the continuing effects of World War I on the cultural memories of the disparate nations involved, including Ireland, Germany, Canada and Scotland at the end of the 20th century. It draws on various critical approaches to analyze dramas that range globally from France, Germany and Australia as well as the UK and the USA.
📒Buried Astrolabe ✍ Craig S. Walker
📝Buried Astrolabe Book Synopsis : A critical introduction to contemporary Canadian playwriting.
📒Women The First World War And The Dramatic Imagination ✍ Claire M. Tylee
📝Women the First World War and the Dramatic Imagination Book Synopsis :
📒John Donne ✍ V. N. Sinha
📝John Donne Book Synopsis :
📒Theatre Symposium Vol 19 ✍ J K Curry
📝Theatre Symposium Vol 19 Book Synopsis : Normal0falsefalsefalseMicrosoftInternetExplorer4Despite a shared history and many common present practices, the relationship between theatre and film often remains uncertain. Does a close study of film enrich an understanding of drama on the stage? What ongoing connections do theatre and film maintain, and what elements do they borrow from each other? Does the relative popularity and accessibility of film lead to an increased scholarly defensiveness about qualities exclusive to theatrical performances? Do theatre and film demand two different kinds of attention from spectators, or do audiences tend to experience both in the same ways? The essays in “Theatre Symposium: Volume 19” present this dynamic coexistence of theatre and film, and examine the nature of their mutual influence on each other. Bruce McConachie, in his contribution to the collection, “Theatre and Film in Evolutionary Perspective,” argues that the cognitive functions used to interpret either media arise from the same evolutionary foundation, and that therefore the viewing experiences of theatre and film are closely linked to each other. In “Robert Edmond Jones: Theatre and Motion Pictures, Bridging Reality and Dreams,” Anthony Hostetter and Elisabeth Hostetter consider Jones’ influential vision of a “theater of the future,” in which traditional stage performances incorporate mediated video material into stage productions. Becky Becker’s “Nollywood: Film and Home Video, of the Death of Nigerian Theatre,” by focusing on the current conversation in Nigeria, discusses the anxiety generated by a film and video industry burgeoning into and displacing theatre culture These and the six other essays in “Theatre Symposium: Volume 19” shed light on the current state of affairs—the collaborations and the tensions—between two distinctly individual yet inextricably related artistic media.
📒The Power Of Human Imagination ✍ Jerome L. Singer
📝The Power of Human Imagination Book Synopsis : For at least half of the twentieth century, psychology and the other mental health professions all but ignored the significant adaptive pos sibilities of the human gift of imagery. Our capacity seemingly to duplicate sights, sounds, and other sensory experiences through some form of central brain process continues to remain a mysterious, alma st miraculous skill. Because imagery is so much a private experience, experimental psychologists found it hard to measure and turned their attentian to observable behaviors that could easily be studied in ani maIs as well as in humans. Psychoanalysts and others working with the emotionally disturbed continued to take imagery informatian se riously in the form of dream reports, transferenee fantasies, and as indications of hallucinations or delusions. On the whole, however, they emphasized the maladaptive aspects of the phenomena, the dis tortions and defensiveness or the "regressive" qualities of daydreams and sequences of images. The present volume grows out of a long series of investigations by the senior author that have suggested that daydreaming and the stream of consciousness are not simply manifestations in adult life of persist ing phenomena of childhood. Rather, the data suggest that imagery sequences represent a major system of encoding and transforming information, a basic human capacity that is inevitably part of the brain's storage process and one that has enormous potential for adap tive utility. A companian volume, The Stream of Consciousness, edited by Kenneth S. Pope and Jerome L.
📒Faith As Imagination ✍ Gerald J. Bednar
📝Faith as Imagination Book Synopsis : LynchOs work on the Platonic analogical imagination as instrument and entry into faith gets the attention it merits. Bednar examines LynchOs concepts in detail; the interconnectedness of faith and imagination, the role of imagination in giving new images to faith, the Oironic Christic image, O the difference between imagination in drama and fantasy, the paradigm shift from scholastic to modern understanding of faith. Bednar clears the way for faith as imagination to accommodate conflicting opinions on some significant religious issues
📒The Republic Of Imagination ✍ Azar Nafisi
📝The Republic of Imagination Book Synopsis : From the author of the bestselling memoir Reading Lolita in Tehran comes a powerful and passionate case for the vital role of fiction today. Ten years ago, Azar Nafisi electrified readers with her million-copy bestseller, Reading Lolita in Tehran, which told the story of how, against the backdrop of morality squads and executions, she taught The Great Gatsby and other classics to her eager students in Iran. In this exhilarating follow-up, Nafisi has written the book her fans have been waiting for: an impassioned, beguiling and utterly original tribute to the vital importance of fiction in a democratic society. Taking her cue from a challenge thrown to her at a reading, she energetically responds to those who say fiction has nothing to teach us today. Blending memoir and polemic with close readings of her favourite novels, she invites us to join her as citizens of her 'Republic of Imagination', a country where the villains are conformity, and orthodoxy and the only passport to entry is a free mind and a willingness to dream.
📒Shakespeare The Dramatist ✍ Una Ellis-Fermor
📝Shakespeare the Dramatist Book Synopsis : First published in 1961. On her death, Professor Ellis-Fermor left behind some uncollected essays and part of a book on Shakespeare the Dramatist. This volume includes the chapters of the unfinished work and three further articles on Shakespeare. It discusses Shakespeare's methods with regard to plot, character, diction, and imagery and it contains comparative analysis of Shakespeare with other dramatists, including Ibsen and Corneille.
📒Victorian Literature ✍ David Amigoni
📝Victorian Literature Book Synopsis : How were the genres of literature changed by new methods of serialization and publishing? How did a widespread culture of performance emerge in the period to shape as well as to be shaped by the novel and poetry? David Amigoni draws on the most recent critical approaches to the novel, Victorian melodrama and poetry to answer these and other questions. The work of Charles Dickens, George Eliot, Oscar Wilde, Alfred Tennyson, Robert Browning, Christina Rossetti, Thomas Hardy, Thomas Carlyle and Mathew Arnold are explored in relation to ideas about fiction, journalism, drama, poetry, the New Woman, gothic, horror and the Victorian stage.
📒Shakespeare S Drama ✍ Una Ellis-Fermor
📝Shakespeare s Drama Book Synopsis : First published in 1980. This collection of essays by the first General Editor of the New Arden Shakespeare brings together the best of Ellis-Fermor's Shespearean criticism, in addition to outstanding essays on Coriolanus and Troilus and Cressida. Collected and edited by Kenneth Muir, the book is prefaced by an appreciation of Ellis-Fermor's work.
📒Presence In Play ✍ Cormac Power
📝Presence in Play Book Synopsis : Presence in Play: A Critique of Theories of Presence in the Theatre is the first comprehensive survey and analysis of theatrical presence to be published. Theatre as an art form has often been associated with notions of presence. The 'live' immediacy of the actor, the unmediated unfolding of dramatic action and the 'energy' generated through an actor-audience relationship are among the ideas frequently used to explain theatrical experience – and all are underpinned by some understanding of 'presence.' Precisely what is meant by presence in the theatre is part of what Presence in Play sets out to explain. While this work is rooted in twentieth century theatre and performance since modernism, the author draws on a range of historical and theoretical material. Encompassing ideas from semiotics and phenomenology, Presence in Play puts forward a framework for thinking about presence in theatre, enriched by poststructuralist theory, forcefully arguing in favour of 'presence' as a key concept for theatre studies today.
📒John Dewey And Moral Imagination ✍ Steven Fesmire
📝John Dewey and Moral Imagination Book Synopsis : While examining the important role of imagination in making moral judgments, John Dewey and Moral Imagination focuses new attention on the relationship between American pragmatism and ethics. Steven Fesmire takes up threads of Dewey's thought that have been largely unexplored and elaborates pragmatism's distinctive contribution to understandings of moral experience, inquiry, and judgment. Building on two Deweyan notions -- that moral character, belief, and reasoning are part of a social and historical context and that moral deliberation is an imaginative, dramatic rehearsal of possibilities -- Fesmire shows that moral imagination can be conceived as a process of aesthetic perception and artistic creativity. Fesmire's original readings of Dewey shed new light on the imaginative process, human emotional make-up and expression, and the nature of moral judgment. This original book presents a robust and distinctly pragmatic approach to ethics, politics, moral education, and moral conduct.
📒Play Drama Thought ✍ Richard Courtney
📝Play Drama Thought Book Synopsis : Richard Courtney has extensively revised and updated his most famous work, Play, Drama & Thought, the definitive text on the intellectual and theoretical background to drama and the relevance of drama in education.