The following are the results of "Standing In The Shadows Of Motown" books in our database. Click on the download or Read Now button to download or read "Standing In The Shadows Of Motown" ebook in pdf, epub, mobi, tuebl and audiobooks.
📒Standing In The Shadows Of Motown ✍ James Jamerson
📝Standing in the Shadows of Motown Book Synopsis : (Guitar Book). Bassist James Jamerson was the embodiment of the Motown spirit and groove the invisible entity whose playing inspired thousands. His tumultuous life and musical brilliance are explored in depth through hundreds of interviews, 49 transcribed musical scores, two hours of recorded all-star performances, and more than 50 rarely seen photos in this stellar tribute to behind-the-scenes Motown. Features a 120-minute CD! Allan Slutsky's 2002 documentary of the same name is the winner of the New York Film Critics "Best Documentary of the Year" award!
📒Standing In The Shadows Of Motown Videorecording ✍ Funk Brothers (Musical group)
📝Standing in the Shadows of Motown videorecording Book Synopsis : The story of the Funk Brothers, the group of musicians that played on every single hit Motown record from the label's beginnings to 1972. Inspired by the book "Standing in the shadows of Motown" by Allan "Dr. Licks" Slutsky.
📝Standing in the Shadows of Motown Book Synopsis :
📒Guitars Bars And Motown Superstars ✍ Dennis Coffey
📝Guitars Bars and Motown Superstars Book Synopsis : Inside stories of the pop-music scenes of the 60s and 70s from one of the fathers of the Motown sound
📒Just Around Midnight ✍ Jack Hamilton
📝Just Around Midnight Book Synopsis : When Jimi Hendrix died, the idea of a black man playing lead guitar in a rock band seemed exotic. Yet ten years earlier, Chuck Berry had stood among the most influential rock and roll performers. Why did rock and roll become white? Jack Hamilton challenges the racial categories that distort standard histories of rock music and the 60s revolution.
📒Motown Encyclopedia ✍ Graham Betts
📝Motown Encyclopedia Book Synopsis : Motown means different things to different people. The mere mention of perhaps the most iconic record label in history is often enough to invoke memories and mental images of Marvin Gaye, Diana Ross, Stevie Wonder, The Temptations, The Jackson 5, The Supremes and numerous others. With each group recalled, there is an accompanying piece of music of the mind, from Baby Love, My Girl, Signed Sealed Delivered, I Heard It Through The Grapevine, ABC and Tears Of A Clown and countless more. Quite often, you can ask people what kind of music they like and they will simply answer ‘Motown’, and both they, and you, know exactly what is meant. Or rather, what is implied. The Motown they are invariably thinking of is the label that dominated the charts in the mid 1960s with a succession of radio friendly, dance orientated hits, most of which were written and produced by the trio of Brian Holland, Lamont Dozier and Eddie Holland. This period is referred to, naturally enough, as the Golden Era, when Motown was not only the dominant force in its home city of Detroit but carried The Sound of Young America all around the world. The kind of music that had them Dancing In the Street from Los Angeles to London, Miami to Munich and San Francisco to Sydney. It was the kind of music that attracted scores of imitators; some good, some not so good. The kind of music that appealed to the public and presidents alike, and still does. It was that Motown that this book was intended to be about. However, when you start digging deeper into the Motown story, you realise that throughout its life (which, for the purposes of this book, is its formation in 1959 through to its sale in 1988) it was constantly trying other musical genres, looking to grab hits out of jazz, country, pop, rock, middle of the road and whatever else might be happening at the time. Of course it wasn’t particularly successful at some of the other genres, although those who claim Motown never did much in the rock market conveniently overlook the healthy sales figures achieved by Rare Earth, the group, and focus instead on the total sales achieved on Rare Earth, the label. This book, therefore, contains biographies of all 684 artists who had releases on Motown and their various imprints, as well as biographies of 16 musicians, 23 producers, 19 writers and 13 executives. There are also details of the 50 or so labels that Motown owned, licensed to or licensed from. All nine films and the 17 soundtracks are also featured. Every Motown single and album and EP that made the Top Ten of the pop charts in either the US or UK also have their own entries, with 222 singles, 84 albums and five EPs being featured. Finally, there are 36 other entries, covering such topics as the Hollywood Walk of Fame, the Motortown Revues, Grammy Awards and the most played Motown songs on radio. The 1,178 entries cover every aspect of Motown and more – of the link between Granny in The Beverly Hillbillies and Wonder Woman, of the artists from Abbey Tavern Singers to Zulema, and the hits from ABC to You Really Got A Hold On Me. The Motown Encyclopedia is the story of Motown Records; Yesterday, Today, Forever.
📒Inspired By True Events ✍ Robert James Niemi
📝Inspired by True Events Book Synopsis : An up-to-date and indispensable guide for film history buffs of all kind, this book surveys more than 500 major films based on true stories and historical subject matter.
📒History In The Media ✍ Robert Niemi
📝History in the Media Book Synopsis : A resource on the depiction of historical events in film, on television, and on the Internet combines the latest scholarship with reviews of specific works.
📒Tookey S Talkies ✍ Christopher Tookey
📝Tookey s Talkies Book Synopsis : Christopher Tookey has seen at least 10,000 films. For eight years, he was TV and then film critic for the Sunday Telegraph. For twenty years, he was sole film critic for the Daily Mail and the world’s most popular internet newspaper, Mail Online.
📒Mary Wells ✍ Peter Benjaminson
📝Mary Wells Book Synopsis : Complete with never-before-revealed details about the sex, violence, and drugs in her life, this biography reveals the incredibly turbulent life of Motown artist Mary Wells. Based in part on four hours of previously unreleased and unpublicized deathbed interviews with Wells, this account delves deeply into her rapid rise and long fall as a recording artist, her spectacular romantic and family life, the violent incidents in which she was a participant, and her abuse of drugs. From tumultuous affairs, including one with R&B superstar Jackie Wilson, to a courageous battle with throat cancer that climaxed in her gutsiest performance, this history draws upon years of interviews with Wells’s friends, lovers, and husband to tell the whole story of a woman whose songs crossed the color line and whose voice captivated the Beatles.