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📝My Brilliant Friend Book Synopsis : A New York Times BestsellerThe Neapolitan Novels (Book 1)A modern masterpice from one of Italy's most acclaimed authors set against the backdrop of a Naples that is as seductive as it is perilous and a world undergoing epochal change, this story of a lifelong friendship is told with unmatched honesty. Lila and Elena clash, drift apart, reconcile, and clash again, in the process revealing new facets of their friendship.With My Brillant Briend Ferrante begins the rich, intense, and generous-hearted portrait of two friends, Elena and Lila. Through their lives, she tells the story of a neighborhood, a city, and a country undergoing momentous change.
📝My Brilliant Friend Book Synopsis : Beginning in the 1950s Elena and Lila grow up in Naples, Italy, mirroring two different aspects of their nation. (This book was previously listed in Forecast.) Original. 50,000 first printing.
📝My Brilliant Friend Book Synopsis : From one of Italy’s most acclaimed authors, comes this ravishing and generous-hearted novel about a friendship that lasts a lifetime. The story of Elena and Lila begins in the 1950s in a poor but vibrant neighborhood on the outskirts of Naples. Growing up on these tough streets the two girls learn to rely on each other ahead of anyone or anything else, as their friendship, beautifully and meticulously rendered, becomes a not always perfect shelter from hardship. Ferrante has created a memorable portrait of two women, but My Brilliant Friend is also the story of a nation. Through the lives of Elena and Lila, Ferrante gives her readers the story of a neighborhood, a city, and a country undergoing momentous change. Elena Ferrante is the author of three previous works of critically acclaimed fiction: The Days of Abandonment, Troubling Love, and The Lost Daughter. With this stylishly plotted novel, the first in a series dubbed the “Neapolitan Novels,” she proves herself to be one of Italy’s greatest storytellers.
📒The Days Of Abandonment ✍ Elena Ferrante
📝The Days of Abandonment Book Synopsis : Rarely have the foundations upon which our ideas of motherhood and womanhood rest been so candidly questioned. This compelling novel tells the story of one woman’s headlong descent into what she calls an ‘absence of sense’ after being abandoned by her husband. Olga’s ‘days of abandonment’ become a desperate, dangerous freefall into the darkest places of the soul as she roams the empty streets of a city that she has never learned to love. When she finds herself trapped inside the four walls of her apartment in the middle of a summer heat wave, Olga is forced to confront her ghosts, the potential loss of her own identity, and the possibility that life may never return to normal again. Elena Ferrante was born in Naples. She is the author of seven novels: The Days of Abandonment, Troubling Love, The Lost Daughter, and the quartet of Neapolitan Novels: My Brilliant Friend, The Story of a New Name, Those Who Leave and Those Who Stay, and The Story of the Lost Child. Fragments, a selection of interviews, letters and occasional writings by Ferrante, will be published in early 2016. She is one of Italy’s most acclaimed authors. Ann Goldstein has translated all of Elena Ferrante’s work. She is an editor at the New Yorker and a recipient of the PEN Renato Poggioli Translation Award. ‘Her novels are intensely, violently personal, and because of this they seem to dangle bristling key chains of confession before the unsuspecting reader.’ New Yorker ‘Everything Olga encounters becomes part of her pattern of thinking, and is accommodated as though it had always existed. This, rather than any graphic ‘candour’, is what makes Ferrante’s writing extraordinary.’ London Review ‘Ferrante puts hammer to flesh and invites her reader to penetrate the page.’ Financial Times ‘Every now and again, an author comes along who dares to remind us that the very pain of abandonment can ratchet us back a few evolutionary notches, knock us to the ground and leave us crawling, babbling like beasts.’ San Diego Union-Tribune ‘If that’s not a great literary novel, I don’t know what is.’ Elle ‘Ferrante is unflinching in drawing a mental landscape that is irrational and cruel...She writes like a rampage, her truth telling implacable and her fury kinetic. The tension in the pages is almost unbearable. The book is a startling treatise on how to stay alive when your world falls apart.’ New Zealand Listener
📒The Story Of A New Name ✍ Elena Ferrante
📝The Story of a New Name Book Synopsis : In this follow-up to My Brilliant Friend, Lila is imprisoned by marriage, while Elena continues her journey of self-discovery, until their friendship, which is at the center of their emotional lives, forces them both to mature into women. Original.
📒My Brilliant Friend Gift Edition ✍ Elena Ferrante
📝My Brilliant Friend Gift Edition Book Synopsis : A hardback gift edition of the global literary sensation. The story of Elena and Lila begins in the 1950s in a poor but vibrant neighbourhood on the outskirts of Naples. They learn to rely on each other and discover that their destinies are bound up in the intensity of their relationship. Elena Ferrante’s piercingly honest portrait of two girls’ path into womanhood is also the story of a nation and a meditation on the nature of friendship itself. My Brilliant Friend is a modern masterpiece, the work of one of Italy’s great storytellers.
📒My Brilliant Friend Neapolitan Novels Book One ✍ Bibliomaniac
📝My Brilliant Friend Neapolitan Novels Book One Book Synopsis : You Need To Read This Book because this will help you dive deeper into the world of Elena Ferrante. My Brilliant Friend: Neapolitan Novels - Book One is a brilliant novel that introduces us to an extraordinary friendship between two equally dazzling girls. Told almost entirely as a reflection, the novel has little dialogue and can be quite confusing! Let the Sidekick to My Brilliant Friend: Neapolitan Novels, Book One help you get a firm understanding of the many characters and themes in this magnificent novel. In this sidekick you'll find: Chapter Summaries Characterization of main characters Symbols Themes Discussion Questions Disclaimer: This book serves as an accompaniment to the bestseller "My Brilliant Friend: Neapolitan Novels - Book One" by Elena Ferrante. It is meant to broaden the reader's understanding of the book and to offer some insights which can easily be overlooked. You should order a copy of the actual book before reading this.
📒The Story Of The Lost Child ✍ Elena Ferrante
📝The Story of the Lost Child Book Synopsis : The Story of the Lost Child is the long-awaited fourth volume in the Neapolitan novels (My Brilliant Friend, The Story of a New Name, Those Who Leave and Those Who Stay). The quartet traces the friendship between Elena and Lila, from their childhood in a poor neighbourhood in Naples, to their thirties, when both women are mothers but each has chosen a different path. Their lives are still inextricably linked, for better or worse, especially when it comes to the drama of a lost child. Elena Ferrante was born in Naples. She is the author of seven novels: The Days of Abandonment, Troubling Love, The Lost Daughter, and the quartet of Neapolitan novels: My Brilliant Friend, The Story of a New Name, Those Who Leave and Those Who Stay, and The Story of the Lost Child. Frantugmalia, a selection of interviews, letters and occasional writings by Ferrante, will be published in 2016. She is one of Italy’s most acclaimed authors. Ann Goldstein has translated all of Elena Ferrante’s work. She is an editor at the New Yorker and a recipient of the PEN Renato Poggioli Translation Prize. Praise for Ferrante and the Neapolitan novels ‘[Ferrante’s] charting of the rivalries and sheer inscrutability of female friendship is raw. This is high stakes, subversive literature.’ Sunday Telegraph ‘Ferrante is an expert above all at the rhythm of plotting...Whether it’s work, family, friends or sex–and Ferrante, perhaps thanks to her anonymity as an author, is blisteringly good on bad sex–our greatest mistakes in life aren’t isolated acts; we rehearse them over and over until we get them as badly wrong as we can.’ Independent ‘Great novels are intelligent far beyond the powers of any character or writer or individual reader, as are great friendships, in their way. These wonderful books sit at the heart of that mystery, with the warmth and power of both.’ Harper’s ‘Elena Ferrante is one of the great novelists of our time. Her voice is passionate, her view sweeping and her gaze basilisk...In these bold, gorgeous, relentless novels, Ferrante traces the deep connections between the political and the domestic. This is a new version of the way we live now—one we need, one told brilliantly, by a woman.’ New York Times Sunday Book Review ‘When I read [the Neapolitan novels] I find that I never want to stop. I feel vexed by the obstacles—my job, or acquaintances on the subway—that threaten to keep me apart from the books. I mourn separations (a year until the next one—how?). I am propelled by a ravenous will to keep going.’ New Yorker ‘The best thing I’ve read this year, far and away...She puts most other writing at the moment in the shade. She’s marvellous.’ Richard Flanagan ‘The Neapolitan series stands as a testament to the ability of great literature to challenge, flummox, enrage and excite as it entertains.’ Sydney Morning Herald ‘The depth of perception Ms. Ferrante shows about her character’s conflicts and psychological states is astonishing...Her novels ring so true and are written with such empathy that they sound confessional.’ Wall Street Journal ‘The older you get, the harder it is to recapture the intoxicating sense of discovery that comes when you first read George Eliot, Nabokov, Tolstoy or Colette. But this year it came again when I read Elena Ferrante’s remarkable Neapolitan novels.’ Jane Shilling, New Statesman ‘There is nothing remotely tiring or trying about the experience of reading the Neapolitan novels, which I, and a great many others, now rank among our greatest book-related pleasures...it is writing that holds honesty dear.’ Weekend Australian ‘Dickens gave working people a voice. Ferrante, whoever she might be, presents a new paradigm for being female in the world...Ferrante’s great literary creations, Lenu and Lila, have the same emotional weight as Anne in Persuasion, Jo in Little Women, Maggie in The Mill on the Floss, Jane in Jane Eyre.’ Helen Elliott in the Monthly ‘This stunning conclusion further solidifies the Neapolitan novels as Ferrante’s masterpiece and guarantees that this reclusive author will remain far from obscure for years to come.’ Publishers Weekly ‘The Neapolitan novels are smart, thoughtful, serious literature. At the same time, they are violent, suspenseful soap operas populated with a vivid cast of scheming characters...Ferrante’s novels are deeply personal and intimate, getting to the very heart of what it means to be a woman, a friend, a daughter, a mother.’ Debrief Daily ‘Shattering and enthralling, intimate and vicious...The Neapolitan Novels are the kind of books that swallow me whole. As soon as I pick one up, I don’t want to breathe or move lest I break the spell...The Neapolitan Novels are among the most important in my reading life. I can’t recommend them highly enough.’ Readings ‘Ferrante captures the complexities of women, friendship and motherhood in ways that make your heart soar and ache in equal measures. If you haven’t already, treat yourself to this series.’ ELLE Australia ‘[Ferrante’s] Neapolitan novels contain real life – recognisable anxiety, joy, love and heartbreak. This is an incredibly difficult feat to achieve in the first place, let alone sustain, over four books. We will be talking about Elena and Lila for years to come.’ Sydney Morning Herald ‘There's a bright, sinewy humanness to Ferrante’s writing that is so alive it's alarming...The Story of the Lost Child is a full emotional experience, and a fitting end to a huge, arresting series.’ New Zealand Listener ‘I was one of the many who wept and wondered over Elena Ferrante’s The Story of the Lost Child. I plan to re-read the entire series soon.’ Favourite Feminist Reads from 2016, Feminist Writers Festival
📒The Beach At Night ✍ Elena Ferrante
📝The Beach at Night Book Synopsis : Elena Ferrante returns to the tale at the centre of the novel she considers to be a turning point in her development as a writer: The Lost Daughter. But this time the story takes the form of a children’s fable told from the point of view of the lost (stolen!) doll, Celina. Celina is having a terrible night, one full of jealousy for the new kitten, Minù, feelings of abandonment and sadness, misadventures at the hands of the beach attendant, and dark dreams. But she will be happily found by Mati, her child, once the sun rises. Accompanied by the oneiric and stirring illustrations of Mara Cerri, The Beach at Night is a story for all of Ferrante’s many ardent fans.
📒Troubling Love ✍ Elena Ferrante
📝Troubling Love Book Synopsis : Following her mother’s untimely and mysterious death, Delia embarks on a voyage of discovery through the streets of her native Naples searching for the truth about her family. Reality is buried somewhere in the fertile soil of memory, and Delia is determined to find it. This stylish fiction is set in a beguiling but often hostile Naples, whose chaotic, suffocating streets become one of the book’s central motifs. A story about mothers and daughters, and the complicated knot of lies and emotions that binds them. Elena Ferrante was born in Naples. She is the author of seven novels: The Days of Abandonment, Troubling Love, The Lost Daughter, and the quartet of Neapolitan Novels: My Brilliant Friend, The Story of a New Name, Those Who Leave and Those Who Stay, and The Story of the Lost Child. Fragments, a selection of interviews, letters and occasional writings by Ferrante, will be published in early 2016. She is one of Italy’s most acclaimed authors. Ann Goldstein has translated all of Elena Ferrante’s work. She is an editor at the New Yorker and a recipient of the PEN Renato Poggioli Translation Award. ‘Ferrante’s polished language belies the rawness of her imagery, which conveys perversity, violence, and bodily functions in ripe detail.’ New Yorker ‘It’s the first time a novel ever made me get physical, and it was the first good mood I’d been in for weeks.’ New York Times ‘Like Joyce’s Ulysses, this journey draws vigorously on its cityscape. Naples is one of those sun-drenched spooky cities, thrumming with life and populated by ghosts, spastic with impermeable local culture.’ Time Out New York ‘A brutally frank tale about the dangerous intersection of rage and desire.’ Booklist ‘Both The Days of Abandonment and Troubling Love are tour de forces, and harrowing tours of a feminine psyche under siege. They both confirm Ferrante’s reputation as one of Italy’s best contemporary novelists.’ Seattle Times ‘There is an increasingly hallucinatory quality to the prose, a vulgarity and grotesqueness, too. Ferrante’s novels are regarded as brilliant. Gritty and confronting, they are about an underbelly of southern Italy tourists rarely see.’ New Zealand Herald ‘Ferrante’s uncompromising directness and her unflinching gaze cannot be faulted.’ Age/Sydney Morning Herald ‘The most erratic of the three novellas, its unhinged, broken quality matching the psyche of both Delia and her mother, whose violent history is hinted at in the character of a half-drawn child...It’s brave to write a protagonist who at turns shames and exalts her mother with such cruelty and tenderness.’ New Zealand Listener