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📒Maus Ii ✍ Art Spiegelman
📝Maus II Book Synopsis : In a comic-book-style tale of the author's parents, Vladek and Anja, Vladek survives Auschwitz, is reunited with Anja, and sires young Art
📒Maus A Survivor S Tale Ii ✍ Art Spiegelman
📝Maus a Survivor s Tale II Book Synopsis :
📒Complete Maus ✍ Art Spiegelman
📝Complete Maus Book Synopsis : Combined here are Maus I: A Survivor's Tale and Maus II - the complete story of Vladek Spiegelman and his wife, living and surviving in Hitler's Europe. By addressing the Holocaust through cartoons the author captures the everyday reality of fear and the sensation of survival.
📝Activity Pack Book Synopsis :
📒Maus I And Maus Ii ✍ James Scott
📝Maus I and Maus II Book Synopsis :
📒The Complete Maus ✍ Art Spiegelman
📝The Complete Maus Book Synopsis :
📒Maus I Y Ii ✍ Art Spiegelman
📝Maus I y II Book Synopsis : Maus es la biografía de Vladek Spiegelman, un judío polaco superviviente de los campos de exterminio nazis, contada a través de su hijo Art, un dibujante de cómics que quiere dejar memoria de la aterradora persecución que sufrieron millones de personas en la Europa sometida por Hitler y de las consecuencias de este sufrimiento en la vida cotidiana de las generaciones posteriores. Apartándose de las formas de literatura creadas hasta la publicación de Maus, Art Spiegelman se aproxima al tema del Holocausto de un modo absolutamente renovador, y para ello relata la experiencia de su propia familia en forma de memoria gráfica, utilizando todos los recursos estilísticos y narrativos tradicionales de este género y, a la vez, inventando otros nuevos. La radicalidad narrativa de esta obra marcó un antes y un después en el universo de la novela gráfica, y por ello Maus obtuvo el primer y único Premio Pulitzer otorgado a un cómic. ENGLISH DESCRIPTION A story of a Jewish survivor of Hitler’s Europe and his son, a cartoonist who tries to come to terms with his father’s story and history itself. Its form, the cartoon (the Nazis are cats, the Jews mice), succeeds perfectly in shocking us out of any lingering sense of familiarity with the events described, approaching, as it does, the unspeakable through the diminutive. Genuinely tragic and comic by turns, it attains a complexity of theme and a precision of thought new to comics and rare in any medium. Mausties together two powerful stories: Vladek’s harrowing take of survival against all odds, delineating the paradox of family life in the death camps, and the author’s account of his tortured relationship with his aging father. At every level this is the ultimate survivor’s tale--and that too of the children who somehow survive even the survivors.
📒Text And Context ✍ Cherie R. Bennethum
📝Text and Context Book Synopsis : The goal of this research was to design and assess a unit that facilitates students' making of meaningful connections between literature and history by employing the theory of New Historicism. This project combined the literary theory of New Historicism and the curricular model of the International Baccalaureate Organisation's Middle Years Programme to create and analyze a unit for Art Spiegelman's Maus I and Maus II that combines literary and nonliterary texts in a literature classroom. The unit was critiqued by three experts using a qualitative questionnaire designed by the author. The key findings that emerged from the data were that the curriculum: 1) Presents multiple perspectives and encourages multicultural awareness; 2) Promotes holistic learning through the connections made between literature and history; and 3) Supports the development of speaking, listening, reading, writing, viewing, and thinking skills.
📒Metamaus Druk 1 ✍ Art Spiegelman
📝Metamaus druk 1 Book Synopsis : Achtergrondinformatie over het stripverhaal 'Maus', waarin de verschrikkingen van de jodenvervolging in Polen tijdens de Tweede Wereldoorlog zijn uitgebeeld.
📒The Graphic Novel ✍ Jan Baetens
📝The Graphic Novel Book Synopsis : The essays collected in this volume were first presented at the international and interdisciplinary conference on the Graphic Novel hosted by the Institute for Cultural Studies (University of Leuven) in 2000.The issues discusses by the conference are twofold. Firstly, that of trauma representation, an issue escaping by definition from any imaginable specific field. Secondly, that of a wide range of topics concerning the concept of "visual narrative," an issue which can only be studied by comparing as many media and practices as possible.The essays of this volume are grouped here in two major parts, their focus depending on either a more general topic or on a very specific graphic author. The first part of the book, "Violence and trauma in the Graphic Novel", opens with a certain number of reflections on the representation of violence in literary and visual graphic novels, and continues with a whole set of close readings of graphic novels by Art Spiegelman (Maus I and II) and Jacques Tardi (whose masterwork "C'?tait la guerre des tranch?es" is still waiting for its complete English translation). The second part of the book presents in the first place a survey of the current graphic novel production, and insists sharply on the great diversity of the range in the various 'continental' traditions (for instance underground 'comix', and feminist comics, high-art graphic novels, critical superheroes-fiction) whose separation is nowadays increasingly difficult to maintain. It continues and ends with a set of theoretical interventions where not only the reciprocal influences of national and international traditions, but also those between genres and media are strongly forwarded, the emphasis being here mainly on problems concerning ways of looking and positions of spectatorship.