â™ Book Title : Jazz
✍Author :
â™›Publisher :
♣Release Date :
âśżPages :
â™ ISBN : 0393274055
♬Available Language : English, Spanish, And French


đź“ťJazz Book Synopsis :

â™ Book Title : The Cambridge Companion to Jazz
✍Author : Mervyn Cooke
â™›Publisher : Cambridge University Press
♣Release Date : 2002
âśżPages : 403
â™ ISBN : 0521663881
♬Available Language : English, Spanish, And French


đź“ťThe Cambridge Companion to Jazz Book Synopsis : Notes -- Works cited -- Principal musicians cited -- Index.

📒Jazz ✍ Scott Yanow

â™ Book Title : Jazz
✍Author : Scott Yanow
â™›Publisher : Greenwood Publishing Group
♣Release Date : 2005-01-01
âśżPages : 287
â™ ISBN : 0313328714
♬Available Language : English, Spanish, And French


đź“ťJazz Book Synopsis : Looks at the history of jazz, discussing its roots and influences, distinct styles such as ragtime, swing, Latin jazz, bebop, and fusion and offering biographies of important jazz musicians.

📒Thinking In Jazz ✍ Paul F. Berliner

â™ Book Title : Thinking in Jazz
✍Author : Paul F. Berliner
â™›Publisher : University of Chicago Press
♣Release Date : 2009-10-05
âśżPages : 904
â™ ISBN : 0226044521
♬Available Language : English, Spanish, And French


📝Thinking in Jazz Book Synopsis : A landmark in jazz studies, Thinking in Jazz reveals as never before how musicians, both individually and collectively, learn to improvise. Chronicling leading musicians from their first encounters with jazz to the development of a unique improvisatory voice, Paul Berliner documents the lifetime of preparation that lies behind the skilled improviser's every idea. The product of more than fifteen years of immersion in the jazz world, Thinking in Jazz combines participant observation with detailed musicological analysis, the author's experience as a jazz trumpeter, interpretations of published material by scholars and performers, and, above all, original data from interviews with more than fifty professional musicians: bassists George Duvivier and Rufus Reid; drummers Max Roach, Ronald Shannon Jackson, and Akira Tana; guitarist Emily Remler; pianists Tommy Flanagan and Barry Harris; saxophonists Lou Donaldson, Lee Konitz, and James Moody; trombonist Curtis Fuller; trumpeters Doc Cheatham, Art Farmer, Wynton Marsalis, and Red Rodney; vocalists Carmen Lundy and Vea Williams; and others. Together, the interviews provide insight into the production of jazz by great artists like Betty Carter, Miles Davis, Dizzy Gillespie, Coleman Hawkins, and Charlie Parker. Thinking in Jazz overflows with musical examples from the 1920s to the present, including original transcriptions (keyed to commercial recordings) of collective improvisations by Miles Davis's and John Coltrane's groups. These transcriptions provide additional insight into the structure and creativity of jazz improvisation and represent a remarkable resource for jazz musicians as well as students and educators. Berliner explores the alternative ways—aural, visual, kinetic, verbal, emotional, theoretical, associative—in which these performers conceptualize their music and describes the delicate interplay of soloist and ensemble in collective improvisation. Berliner's skillful integration of data concerning musical development, the rigorous practice and thought artists devote to jazz outside of performance, and the complexities of composing in the moment leads to a new understanding of jazz improvisation as a language, an aesthetic, and a tradition. This unprecedented journey to the heart of the jazz tradition will fascinate and enlighten musicians, musicologists, and jazz fans alike.

📒Jazz ✍ James Lincoln Collier

â™ Book Title : Jazz
✍Author : James Lincoln Collier
â™›Publisher : Oxford University Press
♣Release Date : 1995-07-13
âśżPages :
â™ ISBN : 0195357221
♬Available Language : English, Spanish, And French


đź“ťJazz Book Synopsis : Praised by the Washington Post as a "tough, unblinkered critic," James Lincoln Collier is probably the most controversial writer on jazz today. His acclaimed biographies of Louis Armstrong, Duke Ellington, and Benny Goodman continue to spark debate in jazz circles, and his iconoclastic articles on jazz over the past 30 years have attracted even more attention. With the publication of Jazz: The American Theme Song, Collier does nothing to soften his reputation for hard-hitting, incisive commentary. Questioning everything we think we know about jazz--its origins, its innovative geniuses, the importance of improvisation and spontaneous inspiration in a performance--and the jazz world, these ten provocative essays on the music and its place in American culture overturn tired assumptions and will alternately enrage, enlighten, and entertain. Jazz: The American Theme Song offers music lovers razor-sharp analysis of musical trends and styles, and fearless explorations of the most potentially explosive issues in jazz today. In "Black, White, and Blue," Collier traces African and European influences on the evolution of jazz in a free-ranging discussion that takes him from the French colony of Saint Domingue (now Haiti) to the orderly classrooms where most music students study jazz today. He argues that although jazz was originally devised by blacks from black folk music, jazz has long been a part of the cultural heritage of musicians and audiences of all races and classes, and is not black music per se. In another essay, Collier provides a penetrating analysis of the evolution of jazz criticism, and casts a skeptical eye on the credibility of the emerging "jazz canon" of critical writing and popular history. "The problem is that even the best jazz scholars keep reverting to the fan mentality, suddenly bursting out of the confines of rigorous analysis into sentimental encomiums in which Hot Lips Smithers is presented as some combination of Santa Claus and the Virgin Mary," he maintains. "It is a simple truth that there are thousands of high school music students around the country who know more music theory than our leading jazz critics." Other, less inflammatory but no less intriguing, essays include explorations of jazz as an intrinsic and fundamental source of inspiration for American dance music, rock, and pop; the influence of show business on jazz, and vice versa; and the link between the rise of the jazz soloist and the new emphasis on individuality in the 1920s. Impeccably researched and informed by Collier's wide-ranging intellect, Jazz: The American Theme Song is an important look at jazz's past, its present, and its uncertain future. It is a book everyone who cares about the music will want to read.

📒Madame Jazz ✍ Leslie Gourse

â™ Book Title : Madame Jazz
✍Author : Leslie Gourse
â™›Publisher : Oxford University Press on Demand
♣Release Date : 1996
âśżPages : 273
â™ ISBN : 9780195106473
♬Available Language : English, Spanish, And French


đź“ťMadame Jazz Book Synopsis : Offering an exciting opportunity to meet some of the most talented women in jazz today, a comprehensive look at female jazz instrumentalists includes interviews with rising stars and veterans and discusses the rewards and challenges facing women musicians today. UP.

📒Representing Jazz ✍ Krin Gabbard

â™ Book Title : Representing Jazz
✍Author : Krin Gabbard
â™›Publisher : Duke University Press
♣Release Date : 1995-01-01
âśżPages : 320
â™ ISBN : 0822315947
♬Available Language : English, Spanish, And French


📝Representing Jazz Book Synopsis : Traditional jazz studies have tended to see jazz in purely musical terms, as a series of changes in rhythm, tonality, and harmony, or as a parade of great players. But jazz has also entered the cultural mix through its significant impact on novelists, filmmakers, dancers, painters, biographers, and photographers. Representing Jazz explores the "other" history of jazz created by these artists, a history that tells us as much about the meaning of the music as do the many books that narrate the lives of musicians or describe their recordings. Krin Gabbard has gathered essays by distinguished writers from a variety of fields. They provide engaging analyses of films such as Round Midnight, Bird, Mo’ Better Blues, Cabin in the Sky, and Jammin’ the Blues; the writings of Eudora Welty and Dorothy Baker; the careers of the great lindy hoppers of the 1930s and 1940s; Mura Dehn’s extraordinary documentary on jazz dance; the jazz photography of William Claxton; painters of the New York School; the traditions of jazz autobiography; and the art of "vocalese." The contributors to this volume assess the influence of extramusical sources on our knowledge of jazz and suggest that the living contexts of the music must be considered if a more sophisticated jazz scholarship is ever to evolve. Transcending the familiar patterns of jazz history and criticism, Representing Jazz looks at how the music actually has been heard and felt at different levels of American culture. With its companion anthology, Jazz Among the Discourses, this volume will enrich and transform the literature of jazz studies. Its provocative essays will interest both aficionados and potential jazz fans. Contributors. Karen Backstein, Leland H. Chambers, Robert P. Crease, Krin Gabbard, Frederick Garber, Barry K. Grant, Mona Hadler, Christopher Harlos, Michael Jarrett, Adam Knee, Arthur Knight, James Naremore

📒The Creation Of Jazz ✍ Burton W. Peretti

â™ Book Title : The Creation of Jazz
✍Author : Burton W. Peretti
â™›Publisher : University of Illinois Press
♣Release Date : 1994-01-01
âśżPages : 277
â™ ISBN : 0252064216
♬Available Language : English, Spanish, And French


đź“ťThe Creation of Jazz Book Synopsis : "As musicians, listeners, and scholars have sensed for many years, the story of jazz is more than a history of the music. Burton Peretti presents a fascinating account of how the racial and cultural dynamics of American cities created the music, life, and business that was jazz." "From its origins in the jook joints of sharecroppers and the streets and dance halls of 1890s New Orleans, through its later metamorphoses in the cities of the North, Peretti charts the life of jazz culture to the eve of bebop and World War II." "In the course of those fifty years, jazz was the story of players who made the transition from childhood spasm bands to Carnegie Hall and worldwide touring and fame. It became the music of the Twenties, a decade of Prohibition, of adolescent discontent, of Harlem pride, and of Americans hoping to preserve cultural traditions in an urban, commercial age. And jazz was where black and white musicians performed together, as uneasy partners, in the big bands of Artie Shaw and Benny Goodman. "Blacks fought back by using jazz," states Peretti, "with its unique cultural and intellectual properties, to prove, assess, and evade the "dynamic of minstrelsy."" "Drawing on newspaper reports of the times and on the firsthand testimony of more than seventy prominent musicians and singers (among them Benny Carter, Bud Freeman, Kid Ory, and Mary Lou Williams), The Creation of Jazz is the first comprehensive analysis of the role of early jazz in American social history."--P.4 de la couv.

📒Jazz Cultures ✍ David Ake

â™ Book Title : Jazz Cultures
✍Author : David Ake
â™›Publisher : Univ of California Press
♣Release Date : 2002-01-07
âśżPages : 236
â™ ISBN : 052092696X
♬Available Language : English, Spanish, And French


đź“ťJazz Cultures Book Synopsis : From its beginning, jazz has presented a contradictory social world: jazz musicians have worked diligently to erase old boundaries, but they have just as resolutely constructed new ones. David Ake's vibrant and original book considers the diverse musics and related identities that jazz communities have shaped over the course of the twentieth century, exploring the many ways in which jazz musicians and audiences experience and understand themselves, their music, their communities, and the world at large. Writing as a professional pianist and composer, the author looks at evolving meanings, values, and ideals--as well as the sounds--that musicians, audiences, and critics carry to and from the various activities they call jazz. Among the compelling topics he discusses is the "visuality" of music: the relationship between performance demeanor and musical meaning. Focusing on pianists Bill Evans and Keith Jarrett, Ake investigates the ways in which musicians' postures and attitudes influence perceptions of them as profound and serious artists. In another essay, Ake examines the musical values and ideals promulgated by college jazz education programs through a consideration of saxophonist John Coltrane. He also discusses the concept of the jazz "standard" in the 1990s and the differing sense of tradition implied in recent recordings by Wynton Marsalis and Bill Frisell. Jazz Cultures shows how jazz history has not consisted simply of a smoothly evolving series of musical styles, but rather an array of individuals and communities engaging with disparate--and oftentimes conflicting--actions, ideals, and attitudes.

📒Jazz ✍ Music Hound

â™ Book Title : Jazz
✍Author : Music Hound
â™›Publisher : Schirmer Trade Books
♣Release Date : 1998
âśżPages : 1390
â™ ISBN : 0825672538
♬Available Language : English, Spanish, And French


đź“ťJazz Book Synopsis : You've probably seen other jazz guides, but you haven't run across anything quite like MusicHound Jazz. It delivers sound advice on what to buy and what not to buy. Explore the rich world of jazz, from the soulful vocals of Bessie Smith to the groundbreaking explorations of John Coltrane. This comprehensive guide has it all - page after page of interesting facts, opinions, recording reviews and biographies on nearly 1,300 artists. But that's not all. Enjoy more than 100 stunning photos of jazz greats. Learn who influenced each artist and why. Discover what makes each one unique. Then sample some smokin' jazz with the CD sampler from the legendary jazz label Blue Note.