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📒Harmony And Voice Leading ✍ Edward Aldwell
📝Harmony and Voice Leading Book Synopsis : A clear and accessible volume spanning the entire theory course, HARMONY AND VOICE LEADING, 5th Edition, begins with coverage of basic concepts of theory and harmony and moves into coverage of advanced dissonance and chromaticism. It emphasizes the linear aspects of music as much as the harmonic, and introduces large-scale progressions--linear and harmonic--at an early stage. In the fifth edition, starting with Unit 4, the upper- and lower-case system of Roman numeral analysis has been incorporated to facilitate students’ recognition of chord quality. In addition, Schenker’s notion of linear progressions--an important concept in later, more advanced work in tonal analysis--is informally introduced in Unit 11. Important Notice: Media content referenced within the product description or the product text may not be available in the ebook version.
📒Harmony Voice Leading ✍ Edward Aldwell
📝Harmony Voice Leading Book Synopsis :
📒Harmony And Voice Leading ✍ Edgar W. Williams, Jr.
📝Harmony and Voice Leading Book Synopsis :
📒Harmony Voice Leading And Motive In Beethoven S Last Quartet ✍ Jason Britton
📝Harmony Voice Leading and Motive in Beethoven s Last Quartet Book Synopsis : Schenkerian analysis of harmonic, contrapuntal, and motivic procedures in Beethoven's String quartet in F major, op. 135; appendix contains complete voice-leading sketch.
📝Harmony Voice Leading and Microtonal Syntax in Ben Johnston s String Quartet Book Synopsis : This dissertation focuses on a new method for examining harmony, identifying consonance and dissonance through differential tones, and describing voice leading for pieces using just intonation, in particular for Ben Johnston's String Quartet No. 5 (1979). Johnston employs microtonality in nearly all of his works, which contain more than the typical twelve equal-tempered pitches in the octave. This particular quartet features a great number (over 100) of pitches within the octave as is the case with many of his pieces up to his composition of String Quartet No. 5. This complex tuning system for microtonality requires a meaningful method for analyzing the novel harmonic syntax in order to model an analysis. The purpose of this analysis is 1.) to establish a scale for measuring consonance and dissonance in the sonorities (particularly those in the homorhythmic sections), 2.) to illustrate and explain the mechanism of the smooth transitions between tuning areas, and 3.) to examine the continuity among sonorities at the phrase level. The first level of analysis considers the consonant and dissonant qualities of the sonorities. This is measured by the resulting differential tones and is an extension of the theories of German physicist Hermann Helmholtz. The sonorities are then placed in context to their surrounding verticalities by observing the superparticular ratios of the melodic voice leading. These ratios yield a difference of one between the numerator and denominator, which signifies a common fundamental between the pitches. The focus of this writing is to show the levels of consonance and dissonance at phrase endings and crucial sections in the quartet. Generally, more stable sonorities begin and conclude sections of repose that feature the recurring "Lonesome Valley" theme. Smooth voice leading and consonant intervals between tuning areas provide a sense of continuity in the more turbulent transitional sections between sections of harmonic stasis. This dissertation examines these phrases in the form of the quartet.
📒A Theory Of Harmony And Voice Leading In The Music Of Igor Stravinsky ✍ Joseph Nathan Straus
📝A theory of harmony and voice leading in the music of Igor Stravinsky Book Synopsis :
📒Harmony Form And Voice Leading In The Mature Works Of Antonin Dvorak ✍ Daniel J. Partridge
📝Harmony Form and Voice Leading in the Mature Works of Antonin Dvorak Book Synopsis : The last part, composed of one chapter, is a study of Dvorak's voice-leading practices at middleground levels both within and over sectional boundaries, and concludes with an in-depth analysis of the String Quartet in C Major, op. 61 (1881).
📝Workbook Harmony Voice Leading Book Synopsis :
📝Student Workbook Volume II for Aldwell Schachter Cadwallader s Harmony and Voice Leading 5th Book Synopsis : Provides material for homework assignments, classroom demonstrations and periodic reviews. A generous assortment of excerpts from the literature for assignments in analysis. Volume II corresponds with the second half of the text.
📝Student Workbook Volume I for Aldwell Schachter Cadwallader s Harmony and Voice Leading 5th Book Synopsis : Provides material for homework assignments, classroom demonstrations and periodic reviews. A generous assortment of excerpts from the literature for assignments in analysis. Volume I corresponds with the first half of the text.