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📒Harmony And Voice Leading ✍ Edward Aldwell
📝Harmony and Voice Leading Book Synopsis : A clear and accessible volume spanning the entire theory course, HARMONY AND VOICE LEADING, 5th Edition, begins with coverage of basic concepts of theory and harmony and moves into coverage of advanced dissonance and chromaticism. It emphasizes the linear aspects of music as much as the harmonic, and introduces large-scale progressions--linear and harmonic--at an early stage. In the fifth edition, starting with Unit 4, the upper- and lower-case system of Roman numeral analysis has been incorporated to facilitate students’ recognition of chord quality. In addition, Schenker’s notion of linear progressions--an important concept in later, more advanced work in tonal analysis--is informally introduced in Unit 11. Important Notice: Media content referenced within the product description or the product text may not be available in the ebook version.
📒Harmony And Voice Leading ✍ Edgar W. Williams, Jr.
📝Harmony and Voice Leading Book Synopsis :
📒A Theory Of Harmony And Voice Leading In The Music Of Igor Stravinsky ✍ Joseph Nathan Straus
📝A theory of harmony and voice leading in the music of Igor Stravinsky Book Synopsis :
📒Workbook Harmony And Voice Leading ✍ Edward Aldwell
📝Workbook Harmony and Voice Leading Book Synopsis : Provides material for homework assignments, classroom demonstrations, and periodic reviews. A generous assortment of excerpts from the literature for assignments in analysis. Volume II corresponds with the second half of the text.
📒Aspects Of Harmony And Voice Leading In Four Solo Piano Performances By Clare Fischer To 25 Pages 26 To 50 Pages 51 To 75 Pages 76 To 100 Pages 101 To 125 Pages 126 To 150 Pages 151 To 175 Pages 176 To 200 Pages 201 To 225 Pages 226 To 250 Pages 251 To 275 Pages 276 To 300 Pages 301 To 325 Pages 326 To 350 Pages 351 To 375 Pages 376 To 400 Pages 401 To 403 ✍ Robert Kurtis Hinz
✍Author : Robert Kurtis Hinz
♣Release Date : 1998
✿Pages : 403
♠ISBN : 0591714698
♬Available Language : English, Spanish, And French
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📝Aspects Of Harmony And Voice Leading In Four Solo Piano Performances By Clare Fischer to 25 Pages 26 to 50 Pages 51 to 75 Pages 76 to 100 Pages 101 to 125 Pages 126 to 150 Pages 151 to 175 Pages 176 to 200 Pages 201 to 225 Pages 226 to 250 Pages 251 to 275 Pages 276 to 300 Pages 301 to 325 Pages 326 to 350 Pages 351 to 375 Pages 376 to 400 Pages 401 to 403 Book Synopsis :
📒Harmony And Voice Leading In Jazz Improvisation ✍ Tony Dunn
📝Harmony and Voice Leading in Jazz Improvisation Book Synopsis :
📝Harmony and Voice Leading Premium Web Site Printed Access Card Book Synopsis :
📒Harmony And Voice Leading In Late Scriabin ✍ Roderick Shergold
📝Harmony and Voice Leading in Late Scriabin Book Synopsis : "In this thesis, a new approach to an understanding of the harmonic language in Scriabin's final compositions is presented. The analytical methods used draw significantly upon previous work done by Varvara Dernova, as well as some of the concepts of Manfred Kelkel. The thesis presents a qualified vindication of the structural importance of the quartal spacing in Scriabin's harmonic language. (This characteristic feature of the composer's pitch organization tends to be regarded by most contemporary theorists as merely an idiomatic spacing that the composer favoured.)" --
📒Transformational Harmony And Voice Leading ✍ Lawrence Beaumont Shuster
📝Transformational Harmony and Voice leading Book Synopsis :
📒Harmony Voice Leading And Motive In Beethoven S Last Quartet ✍ Jason Britton
📝Harmony Voice Leading and Motive in Beethoven s Last Quartet Book Synopsis : Schenkerian analysis of harmonic, contrapuntal, and motivic procedures in Beethoven's String quartet in F major, op. 135; appendix contains complete voice-leading sketch.