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📒Diane Arbus ✍ Diane Arbus
📝Diane Arbus Book Synopsis : "Published just after her untimely death in 1971, this book--whether or not aided by the artist's notoriety--has achieved massive sales for a volume of such uncompromising photographs. Edited by Doon Arbus and Marvin Israel, its titled implies a mere trawl through her best-known images. It is that, but it also a brilliant exposé of American life. ... While it is true that she often photographed those outside society's norms, a more pertinent observation is that if she made 'normals' look like 'freaks', she also made 'freaks' look like 'normals'. Furthermore, her exploration of normalcy was complicated by gender issues. In her aggressive, full frontal 'exploitation' of her subjects, Arbus appropriated an essentially male convention: that of staring. Indeed, it may well be her assumption of this prerogative of masculine domination that has attracted much of the negative comment, compounded by her undercutting of gender stereotypes. She was a great feminist photographer. Her women and girls are invariably strong--like the confident twins [on the cover of the book]--and her men are frequently damaged or uncomfortable in their surroundings."--The Photobook : A History Volume I / Martin Parr and Gerry Badger. London : Phaidon, 2004.
📒Diane Arbus ✍ Arthur Lubow
📝Diane Arbus Book Synopsis : Diane Arbus was one of the greatest photographers of the last century. Her portraiture of freaks, circus performers, twins, nudists and others on the social margins connected with a wide public at a deep psychological level. Her suicide in New York in 1971 overshadowed the reception to her work. Her posthumous exhibition at the Museum of Modern Art a year later drew lines around the block. She was born into a Russian-Jewish family, the Nemerovs, who owned a department store on Fifth Avenue. They were family friends with the Avedons. Richard Avedon later championed Arbus’s work. Avedon rose to greater and greater commercial success through the magazine world. Arbus died in a rent-protected apartment scrambling to earn her keep with odd teaching assignments. Lubow’s biography begins at the moment Arbus quit the world of commercial photography to be an artist. She was uncompromising in that ambition. The book ends with her death. The entire narrative is a slow march towards that event.
📒Diane Arbus ✍ Patricia Bosworth
📝Diane Arbus Book Synopsis : Bosworth’s remarkable look at the life of Diane Arbus, one of the most acclaimed and provocative photographers of her time Diane Arbus became famous for her intimate and unconventional portraits of twins, dwarfs, sideshow performers, eccentrics, and everyday “freaks.” Condemned by some for voyeurism, praised by others for compassion, she was nonetheless a transformative figure in twentieth-century photography and hailed by all for her undeniable genius. Her life was cut short when she committed suicide in 1971 at the peak of her career. In the first complete biography of Arbus, author Patricia Bosworth traces the arc of Arbus’s remarkable life: her sheltered upper-class childhood and passionate, all-consuming marriage to Allan Arbus; her roles as wife and devoted mother; and her evolution from fashion photographer to critically acclaimed artist—one who forever altered the boundaries of photography.
📒Diane Arbus ✍ Jeff L. Rosenheim
📝diane arbus Book Synopsis : Diane Arbus (1923–1971) is one of the most distinctive and provocative artists of the twentieth century. Her photographs of children and eccentrics, couples and circus performers, female impersonators and nudists, are among the most recognizable images of our time. This book is the definitive study of the artist’s first seven years of work, from 1956 to 1962. Drawn primarily from the rich holdings of the Metropolitan Museum’s Diane Arbus Archive—a remarkable treasury of photographs, negatives, appointment books, notebooks, and correspondence—it is an essential contribution to our understanding of Arbus and her oeuvre. diane arbus: in the beginning showcases over 100 of the artist’s early photographs, more than half of which are published here for the first time. The book provides a crucial, in-depth presentation of the artist’s genesis, showing Arbus as she developed her evocative and often haunting imagery. The photographs featured in this handsome volume reveal an artist defining her style, honing her subject matter, and in full possession of the many gifts for which she is now recognized the world over.
📒Diane Arbus Magazine Work ✍ Diane Arbus
📝Diane Arbus magazine work Book Synopsis : Photography's most original artist examines the celebrities of her time in a remarkable collection of portraits. This work reveals the growth of an artist who posed no artificial boundary between art & the paying job, & who succeeded, regardless of the outlet, in putting her own uncompromising, indelible stamp on the visual imagination.
📒Diane Arbus ✍ Anthony W. Lee
📝Diane Arbus Book Synopsis : Diane Arbus (1923-1971) is renowned for her provocative and unsettling portraits of modern Americans. This book presents a significant body of previously unpublished pictures by Arbus and proposes a radically new way to understand her goals, strategies, and overall work. Arbus's portrait sessions, including more than 300 photographs she took of a New York family one weekend in 1969. Anthony Lee and John Pultz put to the test Arbus's claim that she was developing a family album. They present other images Arbus shot for Esquire magazine (including pictures of the families of Ricky Nelson, Jayne Mansfield, and Ogden Reid) and discuss her interest in photographic groupings of both traditional and alternative families. Challenging common interpretations of Arbus, the authors reveal a photographer far more savvy with the camera, more aware of photography as an artistic and commercial practice, and more sensitive to the social and cultural tensions of the 1960s than has been acknowledged before.
📒An Emergency In Slow Motion ✍ William Todd Schultz
📝An Emergency in Slow Motion Book Synopsis : Diane Arbus was one of the most brilliant and revered photographers in the history of American art. Her portraits, in stark black and white, seemed to reveal the psychological truths of their subjects. But after she committed suicide at the age of 48, the presumed chaos and darkness of her own inner life became, for many viewers, inextricable from her work. In the spirit of Janet Malcolm's classic examination of Sylvia Plath, The Silent Woman, William Todd Schultz's An Emergency in Slow Motion reveals the creative and personal struggles of Diane Arbus. Schultz, an expert in personality psychology, veers from traditional biography to look at Arbus's life through the prism of five central mysteries: her childhood, her outcast affinity, her sexuality, her time in therapy, and her suicide. He seeks not to give Arbus some definitive diagnosis, but to ponder some of the private motives behind her public works and acts. In this approach, Schultz not only goes deeper into her life than any previous writing, but provides a template to think about the creative life in general. Schultz's careful analysis is informed, in part, by the recent release of Arbus's writing by her estate, as well as interviews with Arbus's last therapist. An Emergency in Slow Motion combines new revelations and breathtaking insights into a must-read psychobiography about a monumental artist -- the first new look at Arbus in 25 years.
📒Diane Arbus S 1960s ✍ Frederick Gross
📝Diane Arbus s 1960s Book Synopsis : Monografie over het werk van de Amerikaanse fotografe (1923-1971) en hoe zich dit verhoudt tot andere kunstzinige en maatschappelijke ontwikkelingen in de zestiger jaren van de twintigste eeuw.
📒Silent Dialogues ✍ Alexander Nemerov
📝Silent Dialogues Book Synopsis : Silent Dialogues, by art historian Alexander Nemerov, is a probing, intimate reflection about photographer Diane Arbus, the author's aunt, and her brother, Pulitzer Prize–winning poet Howard Nemerov, the author's father. "I have no memories of Diane Arbus," begins Alexander Nemerov in the first of two meditative essays that comprise this book. "A Resemblance" examines Howard Nemerov's complicated responses to his sister's photography. "The School" focuses on a body of Arbus' work known as the Untitled series, photographs made at residences for the mentally disabled between 1969 and 1971, in the last years of her life. Through their work, the author explores the siblings' disparate and distinct sensibilities, and in doing so uncovers signs of an unexpected aesthetic kinship. Illustrations complementing the essays include numerous examples of Arbus' photographs; paintings by artists as diverse as Pieter Brueghel, Norman Rockwell, Paul Feeley and Johannes Vermeer; and a selection of poems by Howard Nemerov, chosen by his son.
📒Diane Arbus ✍ Jeff L. Rosenheim
📝Diane Arbus Book Synopsis : "Diane Arbus (1923-1971) is one of the most distinctive and provocative artists of the twentieth century. Her photographs of children and eccentrics, couples and circus performers, female impersonators and nudists, are among the most recognizable images of our time. This book is the definitive study of the artist's first seven years of work, from 1956 to 1962. Drawn primarily from the rich holdings of the Metropolitan Museum's Diane Arbus Archive--a remarkable treasury of photographs, negatives, appointment books, notebooks, and correspondence--it is an essential contribution to our understanding of Arbus and her oeuvre. diane arbus: in the beginning showcases over 100 of the artist's early photographs, more than half of which are published here for the first time. The book provides a crucial, in- depth presentation of the artist's genesis, showing Arbus as she developed her evocative and often haunting imagery. The photographs featured in this handsome volume reveal an artist defining her style, honing her subject matter, and in full possession of the many gifts for which she is now recognized the world over."--Publisher's description.
📒Diane Arbus ✍ Diane Arbus
📝Diane Arbus Book Synopsis :
📒Diane Arbus ✍ Arthur Lubow
📝Diane Arbus Book Synopsis : The definitive biography of the beguiling Diane Arbus, one of the most influential and important photographers of the twentieth century, a brilliant and absorbing exposition that links the extraordinary arc of her life to her iconic photographs. Diane Arbus brings to life the full story of one of the greatest American artists of the twentieth century, a visionary who revolutionized photography and altered the course of contemporary art with her striking, now iconic images. Arbus comes startlingly to life on these pages, a strong-minded child of unnerving originality who grew into a formidable artist and forged an intimacy with her subjects that has inspired generations of artists. Arresting, unsettling, and poignant, her photographs stick in our minds. Why did these people fascinate her? And what was it about her that captivated them? It is impossible to understand the transfixing power of Arbus’s photographs without understanding her life story. Arthur Lubow draws on exclusive interviews with Arbus’s friends, lovers, and colleagues, on previously unknown letters, and on his own profound critical understanding of photography, to explore Arbus’s unique perspective. He deftly traces Arbus’s development from a wealthy, sexually precocious free spirit into first a successful New York fashion photographer, and then a singular artist who coaxed hidden truths from her subjects. Lubow reveals that Arbus’s profound need not only to see her subjects but to be seen by them drove her to forge unusually close bonds with these people, helping her discover the fantasies, pain, and heroism within each of them. Diane Arbus is the definitive biography of this unique, hugely influential artist. This magnificently absorbing, sensitive treatment of a singular personality brushes aside the clichés that have long surrounded Arbus and her work to capture a brilliant portrait of this seminal artist whose work has immeasurably shaped art and modern culture. Lubow’s Diane Arbus finally does justice to Arbus, and brings to life the story and art of one of the greatest American artists in history. Diane Arbus includes a 16-page black-and-white photo insert.
📝The Presentation of Gender in Diane Arbus s Work in the Context of the Cold War Era Book Synopsis : Seminar paper from the year 2006 in the subject American Studies - Literature, grade: 1,3, Friedrich-Alexander University Erlangen-Nuremberg (Institut für Amerikanistik), course: PS: Cold War Culture, language: English, abstract: In most of the cases of critics discussing Diane Arbus work it is in a psychoanalytical context. Taking her pictures of dwarfs, giants or actors of freak shows they relate them to Diane Arbus ́s own feelings of despair, alienation and depression which she expressed in her images. “In this view she exists in a psychoanalytic twilight world, out of time, in which her pictures carry a charge of pain that is both highly subjective and transhistorical.” (Budick 123) Her pictures of men, women and transvestite show us a different way of seeing Arbus ́s work and makes it necessary to see the photographs in a social and historical context.
📒Edward Hopper Company ✍ Edward Hopper
📝Edward Hopper company Book Synopsis : Introduction by Jeffrey Fraenkel. Essay by Robert Adams.
📒Diane Arbus ✍ Jenny Wilson Kerns
📝Diane Arbus Book Synopsis :
📒Photographs By Diane Arbus ✍ Christie's (New-York)
📝Photographs by Diane Arbus Book Synopsis :
📒American Women Photographers ✍ Martha Kreisel
📝American Women Photographers Book Synopsis : A bibliography of over 1,000 sources for over 600 female photographers from the late 19th century to the present.
📒Diane Arbus ✍ Arts Council of Great Britain
📝Diane Arbus Book Synopsis :
📒Hubert S Freaks ✍ Gregory Gibson
📝Hubert s Freaks Book Synopsis : Traces the efforts of Bob Langmuir to authenticate photographs he discovered in the Hubert's Museum archives that he believed to be prints by a legendary photographer.
📒Arbus Model Str Mholm ✍ Anna Tellgren
📝Arbus Model Str mholm Book Synopsis : Diane Arbus, Lisette Model and Christer Strömholm belong to a generation of photographers who went out into society and used their cameras as tools for artistic exploration. The exhibition will show a selection of work by each of the three photographers with portraits as the common denominator. In the case of Diane Arbus focus will be on her photographs from the sixties that were included in the first book devoted to her work published by Aperture in 1972. With Lisette Model emphasis will be on her work in America from the 1940s onwards. Christer Strömholm will primarily be represented by pictures from Paris taken during the 1960s but we are also including a selection of photos from his trips to the USA. In their choice of subjects the three photographers show that they have related interests as is also apparent in the way that they worked. From a Swedish point of view it is an interesting experiment to place Christer Strömholm in an international context with two American women photographers. This will enable us to view his work and Swedish history of photography in a new and different light.
📒Lisette Model Diane Arbus Larry Fink ✍ Lisette Model
📝Lisette Model Diane Arbus Larry Fink Book Synopsis :