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📝Collier s Year Book Covering the Year Book Synopsis :
📝Collier s Encyclopedia Year Book Book Synopsis :
📝Catalog of Copyright Entries Third Series Book Synopsis : Includes Part 1, Number 2: Books and Pamphlets, Including Serials and Contributions to Periodicals (July - December)
📒Psychedelic Mysticism ✍ Morgan Shipley
📝Psychedelic Mysticism Book Synopsis : Concerned with scholarly, popular, and religious backdrops that understand the connection between psychedelics and mystical experiences to be devoid of moral concerns and ethical dimensions—a position supported empirically by the rise of acid fascism and psychedelic cults by the late 1960s—Psychedelic Mysticism: Transforming Consciousness, Religious Experiences, and Voluntary Peasants in Postwar America traces the development of sixties psychedelic mysticism from the deconditioned mind and perennial philosophy of Aldous Huxley, to the sacramental ethics of Timothy Leary, Richard Alpert, and Ralph Metzner, to the altruistic religiosity practiced by Stephen Gaskin and The Farm. Building directly off the pioneering psychedelic writing of Huxley, these psychedelic mystics understood the height of psychedelic consciousness as an existential awareness of unitive oneness, a position that offered worldly alternatives to the maladies associated with the postwar moment (e.g., vapid consumerism and materialism, lifeless conformity, unremitting racism, heightened militarism). In opening a doorway to a common world, Morgan Shipley locates how psychedelics challenged the coherency of Western modernity by fundamentally reorienting postwar society away from neoliberal ideologies and toward a sacred understanding of reality defined by mutual coexistence and responsible interdependence. In 1960s America, psychedelics catalyzed a religious awakening defined by compassion, expressed through altruism, and actualized in projects that sought to ameliorate the conditions of the least advantaged among us. In the exact moments that historians and cultural critics often locate as signaling the death knell of the counterculture, Gaskin and The Farm emerged, not as a response to the perceived failures of the hippies, nor as an alternative to sixties politicos, but in an effort to fulfill the religious obligation to help teach the world how to live more harmoniously. Today, as we continue to confront issues of socioeconomic inequality, entrenched differences, widespread violence, and the limits of religious pluralism, Psychedelic Mysticism serves as a timely reminder of how religion in America can operate as a tool for destabilization and as a means to actively reimagine the very basis of how people relate—such a legacy can aid in our own efforts to build a more peaceful, sustainable, and compassionate world.
📝Year Book Covering the Year Book Synopsis :
📒Where Are All The Young Men And Women Of Color ✍ Melvin Delgado
📝Where Are All the Young Men and Women of Color Book Synopsis : -- Social Work Today
📝The Complete History of the Vietnam Conflict Le Com die Vietnamien Book Synopsis : SUMMATION OF A “POPULAR” WAR Author V. I. Brown wrote this memoir from authority. He grew up with the war, participated as a member of the military and then observed its aftermath. He provides a penetrating, chronological examination of the war’s policies, politics, judicial decisions, public opinion and reflection in the popular culture. As he examines such complex topics as anti-war sentiment, dissent within the military and the galvanizing of the clergy against the war, Brown offers an in-depth glimpse into the turmoil and emotions spawned by the war that gripped the nation for over a decade. Herein one will find a more complete chronological examination of the Vietnam Conflict than has previously been available. All of the factors which compelled the U. S. to intervene in a foreign civil war are spelled out in vivid detail from the war’s inception to its termination. Also examined is the climate within the national and international communities which led up to the conflict. This book details how the war was an exercise in deception, in futility, in the power of ego and also a lesson in how the U.S. contradicted its own ideals. Further, the author affirms what others including CBS News and The New York Times contended during and after the conflict: that the government almost continually promulgated deceptive information in order to justify continued pursuit of the war. In the end the reader will comprehend that it was all for nothing, and indeed that the former enemy earned what a U. S. President wanted for Vietnam. Herein one will further observe the war’s impact on the lives of the many “players” in the “comédie”, both major and minor, who were elevated to the stage of one of the great events of history. The degree to which the war reverberates in U. S. society is also examined in detail. As of this writing, the war is still in the national consciousness.
📒Catalog Of Copyright Entries Third Series ✍ Library of Congress. Copyright Office
📝Catalog of Copyright Entries Third Series Book Synopsis :
📒William Terry Couch And The Politics Of Academic Publishing ✍ Orvin Lee Shiflett
📝William Terry Couch and the Politics of Academic Publishing Book Synopsis :
📒Grateful Dead S Workingman S Dead ✍ Buzz Poole
📝Grateful Dead s Workingman s Dead Book Synopsis : Released in 1970, Workingman's Dead was the breakthrough album for the Grateful Dead, a cold-water-shock departure from the Acid Test madness of the late '60s. It was the band's most commercially and critically successful release to date. More importantly, these songs established the blueprint for how the Dead would maintain and build upon a community held together by the core motivation of rejecting the status quo ? the "straight life?? ? in order to live and work on their own terms. As a unified whole, the album's eight songs serve as points of entry into a fully-rendered portrait of the Grateful Dead within the context of late twentieth-century American history. These songs speak to the attendant cultural and political anxieties that resulted from the idealism of the '60s giving way to the uncomfortable realities of the '70s, and the band's evolving perspective on these changes. Based on research, interviews, and personal experience, this book probes the paradox at the heart of the band's appeal: the Grateful Dead were about much more than music, though they were really just about the music.