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📒Codex Seraphinianus Thirty Three ✍ Luigi Serafini
📝Codex Seraphinianus Thirty three Book Synopsis : Presents a surreal art book, redesigned by the author with new illustrations, offering a visual encyclopedia of an unknown world written in an unknown language.
📒Codex Seraphinianus ✍ Luigi Serafini
📝Codex Seraphinianus Book Synopsis :
📝Codex Seraphinianus 2018 Wall Calendar Book Synopsis :
📒The Tears Of Things ✍ Peter Schwenger
📝The Tears of Things Book Synopsis : We surround ourselves with material things that are invested with memories but can only stand for what we have lost. Physical objects—such as one’s own body—situate and define us; yet at the same time they are fundamentally indifferent to us. The melancholy of this rift is a rich source of inspiration for artists. Peter Schwenger deftly weaves together philosophical and psychoanalytical theory with artistic practice. Concerned in part with the act of collecting, The Tears of Things is itself a collection of exemplary art objects—literary and cultural attempts to control and possess things—including paintings by Georgia O’Keeffe and René Magritte; sculpture by Louise Bourgeois and Marcel Duchamp; Joseph Cornell’s boxes; Edward Gorey’s graphic art; fiction by Virginia Woolf, Georges Perec, and Louise Erdrich; the hallucinatory encyclopedias of Jorge Luis Borges and Luigi Serafini; and the corpse photographs of Joel Peter Witkin. However, these representations of objects perpetually fall short of our aspirations. Schwenger examines what is left over—debris and waste—and asks what art can make of these. What emerges is not an art that reassembles but one that questions what it means to assemble in the first place. Contained in this catalog of waste is that ultimate still life, the cadaver, where the subject-object dichotomy receives its final ironic reconciliation. Peter Schwenger is professor of English at Mount St. Vincent University in Halifax, Nova Scotia. He is the author of Fantasm and Fiction: On Textual Envisioning, Letter Bomb: Nuclear Holocaust and the Exploding Word, and Phallic Critiques: Masculinity and Twentieth-Century Literature.
📝Encyclopedia of Fictional and Fantastic Languages Book Synopsis :
📒Undeciphered Writing Systems ✍ Source Wikipedia
📝Undeciphered Writing Systems Book Synopsis : Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Pages: 61. Chapters: Linear A, Voynich manuscript, Rongorongo, Codex Seraphinianus, Phaistos Disc, Old European script, Singapore Stone, Quipu, Cascajal Block, Indus script, Phaistos Disc decipherment claims, Rohonc Codex, Byblos syllabary, Jurchen script, Khitan scripts, Proto-Sinaitic alphabet, Proto-Elamite, Liber Linteus, T rt ria tablets, Southwest Paleohispanic script, Isthmian script, Cypro-Minoan syllabary, Cretan hieroglyphs, Basarabi Cave Complex, The Starving of Saqqara, McClelland Sherd, Dispilio Tablet, Linear Elamite, Gradeshnitsa tablets, Kaymajarvi Inscriptions, Youra Potsherds, Banpo symbols, Jiahu symbols. Excerpt: Rongorongo (; Rapa Nui: ) is a system of glyphs discovered in the 19th century on Easter Island that appears to be writing or proto-writing. It cannot be read despite numerous attempts at decipherment. Although some calendrical and what might prove to be genealogical information has been identified, not even these glyphs can actually be read. If rongorongo does prove to be writing, it could be one of as few as three or four independent inventions of writing in human history. Two dozen wooden objects bearing rongorongo inscriptions, some heavily weathered, burned, or otherwise damaged, were collected in the late 19th century and are now scattered in museums and private collections. None remain on Easter Island. The objects are mostly tablets shaped from irregular pieces of wood, sometimes driftwood, but include a chieftain's staff, a bird-man statuette, and two reimiro ornaments. There are also a few petroglyphs which may include short rongorongo inscriptions. Oral history suggests that only a small elite was ever literate and that the tablets were sacred. Authentic rongorongo texts are written in alternating directions, a system called reverse boustrophedon. In a third of the tablets, the lines of text...
📒Lost Classics ✍ Michael Ondaatje
📝Lost Classics Book Synopsis : An Anchor Books Original Seventy-four distinguished writers tell personal tales of books loved and lost–great books overlooked, under-read, out of print, stolen, scorned, extinct, or otherwise out of commission. Compiled by the editors of Brick: A Literary Magazine, Lost Classics is a reader’s delight: an intriguing and entertaining collection of eulogies for lost books. As the editors have written in a joint introduction to the book, “being lovers of books, we’ve pulled a scent of these absences behind us our whole reading lives, telling people about books that exist only on our own shelves, or even just in our own memory.” Anyone who has ever been changed by a book will find kindred spirits in the pages of Lost Classics. Each of the editors has contributed a lost book essay to this collection, including Michael Ondaatje on Sri Lankan filmmaker Tissa Abeysekara’s Bringing Tony Home, a novella about a mutual era of childhood. Also included are Margaret Atwood on sex and death in the scandalous Doctor Glas, first published in Sweden in 1905; Russell Banks on the off-beat travelogue Too Late to Turn Back by Barbara Greene–the “slightly ditzy” cousin of Graham; Bill Richardson on a children’s book for adults by Russell Hoban; Ronald Wright on William Golding’s Pincher Martin; Caryl Phillips on Michael Mac Liammoir’s account of his experiences on the set of Orson Welles’s Othello, and much, much more. From the Trade Paperback edition.
📒An Introduction To Language With Student Resource Access 12 Months ✍ Victoria Fromkin
📝An Introduction to Language with Student Resource Access 12 Months Book Synopsis : An Introduction to Language introduces students to the fascinating study of human language. Engagingly and clearly written, it provides an overview of the key areas of linguistics from an Australian perspective. The International Phonetic Alphabet is represented by both HCE and MD versions, allowing lecturers to use whichever IPA system they prefer. The text is divided into four sections, and chapters take students through the nature of human language, the grammatical aspects and psychology of language, finishing with language and its relation to society. Chapters have also been reworked and revised to keep all syntax up-to-date and accurate.
📒Pulcinellopaedia Seraphiniana Deluxe Edition ✍ Luigi Serafini
📝Pulcinellopaedia Seraphiniana Deluxe Edition Book Synopsis : From the intriguing mind behind Codex Seraphinianus comes this beautifully illustrated tribute to the famed Neapolitan character Pulcinella (or "Punch" as he is referred to in English). Pulcinellopaedia Seraphiniana contains over one hundred extraordinary graphite illustrations with scarlet accents, some of which are depicted in comic-strip style. Conceived as a musical Suite, it is divided into nine scenes with an intermission. It features the oddly surreal and globally recognized character, whose origins have been lost in the mists of the time. An ancestor of Pulcinella was certainly Maccus, the protagonist of the Atellanae Fabulae, very popular farces in ancient Rome, but it was in the early seventeenth-century that the character assumed the name and costume that we all know. Distinguished by a long nose and typically dressed in white with a black mask, Pulcinella is often depicted in various kinds of misadventures and singing about love, hunger, and money. As he famously did in the Codex, Luigi Serafini, has created Pulcinellopaedia Seraphiniana in a unique language all its own, and has filled it with fascinating and mysterious illustrations that will no doubt prompt devotees to obsessively try to decipher the artist's intention. Written by Serafini's imaginative coauthor and alter ego "P. Cetrulo," who represents Pulcinella himself, the book artfully presents the struggles of a rebellious antihero who must come to grips with the challenges of everyday life. Originally, a book about Pulcinella and his world appeared in 1984, after Serafini's involvement with the 1982 Carnival of Venice, the first revival of the famous festivity after two centuries of silence. Now more than three decades later, this new edition has been extensively revised and includes a new afterword by the author. Like its predecessor, the original edition became immensely sought after and highly valuable, fetching more than one thousand dollars if book collectors were lucky enough to get their hands on a copy. All fans of Serafini's work will treasure this volume. Rizzoli will also publish a deluxe limited edition with a signed and numbered print.
📒Building Imaginary Worlds ✍ Mark J.P. Wolf
📝Building Imaginary Worlds Book Synopsis : Mark J.P. Wolf’s study of imaginary worlds theorizes world-building within and across media, including literature, comics, film, radio, television, board games, video games, the Internet, and more. Building Imaginary Worlds departs from prior approaches to imaginary worlds that focused mainly on narrative, medium, or genre, and instead considers imaginary worlds as dynamic entities in and of themselves. Wolf argues that imaginary worlds—which are often transnarrative, transmedial, and transauthorial in nature—are compelling objects of inquiry for Media Studies. Chapters touch on: a theoretical analysis of how world-building extends beyond storytelling, the engagement of the audience, and the way worlds are conceptualized and experienced a history of imaginary worlds that follows their development over three millennia from the fictional islands of Homer’s Odyssey to the present internarrative theory examining how narratives set in the same world can interact and relate to one another an examination of transmedial growth and adaptation, and what happens when worlds make the jump between media an analysis of the transauthorial nature of imaginary worlds, the resulting concentric circles of authorship, and related topics of canonicity, participatory worlds, and subcreation’s relationship with divine Creation Building Imaginary Worlds also provides the scholar of imaginary worlds with a glossary of terms and a detailed timeline that spans three millennia and more than 1,400 imaginary worlds, listing their names, creators, and the works in which they first appeared.